Piero Barone and Gianluca Ginoble of Il Volo Reveal How They Nearly Missed Meeting Before Achieving Fame

Il Volo fill the halls of the world with their crossover of classical and pop music. They will be stopping off in Zurich in December. Piero Barone and Gianluca Ginoble talk about success, stylistic inconsistencies and why they almost missed each other.

Il Volo, scintille in diretta tra Piero Barone e Gianluca Ginoble

Il Volo was formed in 2009 in the TV casting show “Ti lascio una canzone”, where you initially performed solo. What memories do you have of your start?

Piero Barone: It’s crazy: we almost missed each other. If one of us had taken part a season earlier or later, Il Volo wouldn’t exist today. Our greatest luck was this one perfect moment.

Il Volo took part in the ESC in Vienna in 2015 and came third for Italy with the song "Grande amore". Piero Barone, Ignazio Boschetto and Gianluca Ginoble (from right to left) perform as an operatic pop trio.
Il Volo took part in the ESC in Vienna in 2015 and came third for Italy with the song “Grande amore”. Piero Barone, Ignazio Boschetto and Gianluca Ginoble (from right to left) perform as an operatic pop trio. 

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Your sound combines classical, pop and opera – how would you explain your style to someone who has never heard you before?

Singing for the Pope" - highlight of Il Volo's career

Piero Barone: Il Volo is crossover. Neither too classical nor too pop – it’s precisely this mixture that makes us what we are.

You are successful worldwide. Why is Italian music so well received?

Piero Barone: We are just following the path that the greats before us have shaped – Pavarotti, Bocelli, Ramazzotti. They paved the way for us. It’s the language, the feeling that the language conveys.

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Your 2024/2025 world tour will stop at Zurich’s Hallenstadion on December 11. How do you prepare for a tour of this magnitude?

IL VOLO, GIANLUCA GINOBLE, IGNAZIO BOSCHETTO E PIERO BARONE/ "Il bel canto  nel mondo"

Gianluca Ginoble: We have fixed rituals: reading, training, playing tennis. And harmony backstage is crucial – otherwise you can’t last three months on tour together. For example, I often meditate and read to educate myself. It’s important for me that my body and mind are in harmony. That way I’m balanced for the tour.

Your album “Live at the Valley of the Temples” contains many classics such as “Nessun dorma” or “Miserere”. How do you choose the songs?

Gianluca Ginoble: We only sing songs that we feel. Not just what the audience expects. Fortunately, we often hit the same nerve.

Is there another artistic goal you want to achieve?

Gianluca Ginoble & Piero Barone Il volo #northamericatour2016

Piero Barone: The most important thing is to live in the now. Too much planning for the future is damaging – both in work and in life. We make music and follow what life has in store for us and let ourselves be surprised.

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